Circular Economy – Simplified

#creativemovement in the context of arts and crafts can only be successful on or within a circular economy
Presently, our whole economy centres itself around a core of embryonic ideals which within itself has to work within placing value on novelty.
Herein lies, surely, the only platform that can inevitibly niche an arts and craft circular economy that befits our current economy structure.
In many ways, #circulareconomy would be best placed moving onto the ‘shop floor’, so to speak.
All the best post future kids tolerate structures that are just in need of a kind of acupuncture that will no doubt nourish, nurture our post future novelties as considered designs that give a damn.
Banksy Was Here http://www.newyorker.com/magazine/2007/05/14/banksy-was-here via @laurenzcollins

Circular & Sustainable Earth

Waste is known as an unwanted resource. But is that fair? Perhaps it is simply in need of a creative movement, set to change perception about the way we use, deal, and think about our most common by-products.

In this ‘take, make and throw away’ world, we’re constantly surrounded by stuff and things (and more things and more stuff). Quickly, easily, and without thinking, our casual collections become waste. Whether it be a finished coffee cup, an old phone or an unwanted gift from grandma, our waste runs so rampant in our everyday life, it’s now become invisible.

The circular economy, reuses and recycles materials, producing little waste.

By looking at the whole system, treating all materials as valuable, and shifting to new marketplace models that minimize the amount of resources needed in the first place, the circular economy is based on resource productivity and how we can get…

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Eginnings. Consolidatios, and Other time shapely smoddiness *•

Voices of shutter island room

Something of lapsed ways, disintegrations,  chafe surges of already smarting mind chatter  this morning as every morning awaiting more new old, old new arrivals. what to do? ritually cheese off the ninety three percent  as a seven percent brit, according to Arts Council Britain.  Probably less percent if considering materials cobbled;  rust crumble, paint peelings, limbless dolls with found limbs, headlessmannequin with inverted nipple  awaiting an arrival of sorts, perhaps mosaics pinkted from Viv Westwood printed collections of fancifully adorned bondage,  over a skin of skillish fibresparkle glimpses in old lady pink. i am sure i have left the iron on!
Clean Slate

Constructing family relationships through ‘things’

Voices of the house today

The Rotten and the Sublime: A Reading List on Fermentation

Longreads

Fermented products occupy a strange spot in contemporary food culture, being at once some of the most enduring staples of our diets — and some of the most faddish. From the fizzy kick of kimchi to avant-garde culinary experimentation in Copenhagen, here are five stories about our fascination with (and, sure, addiction to) deliciously rotten food.

1. “Why Bakers Love Their Mothers.” (Dana Goodyear, Food & Wine, November 2013)

Some of the oldest sourdough starters, dubbed mothers — “the bubbling, breathing slick of wild yeast and Lactobacillus bacteria that feed on flour and water” — date from the 19th century and are passed, like a heirloom, from one generation to the next. In this piece, Goodyear lingers on the moving emotional connections bakers develop with the bacteria in their kitchens.

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in~bits

… and pieces

Pieces piece~meal/ hungry for organisation/ perhaps a cause/ installation

Adagio process decousaiced on a battered old case, with sores that take their time to mend. Even then, life evidence remains; patination in the carsitecture; loose seams holding it together with agar agar soup and musts of bygone hums.

Torn between leaving paper thin silk lining, scorched by quite obviously infected moth~wee, and not. Fading deep burgundy punctuated by urinochre, states shrine to a winged creature’s colour theories.

I wonder where it will go when with me has passed.

Will moss tufts, continuums damp marram for doldinge, hightlight adagios dense magnetism to things of th wayside.

Eginnings. Consolidatios, and Other time shapely smoddiness *•

Upped Rusticity

Something of lapsed ways, disintegrations,  chafe surges of already smarting mind chatter  this morning as every morning awaiting more new old, old new arrivals.

what to do?

ritually cheese off the ninety three percent  as a seven percent brit, according to Arts Council Britain.  Probably less percent if considering materials cobbled;  rust crumble, paint peelings, limbless dolls with found limbs, headlessmannequin with inverted nipple  awaiting an arrival of sorts, perhaps mosaics pinkted from Viv Westwood printed collections of fancifully adorned bondage,  over a skin of skillish fibresparkle glimpses in old lady pink.

i am sure i have left the iron on!

View original post

Eginnings. Consolidatios, and Other time shapely smoddiness *•

 

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Eginnings. Consolidatios, and Other time shapely smoddiness *•.

Eginnings. Consolidatios, and Other time shapely smoddiness *•

Something of lapsed ways, disintegrations,  chafe surges of already smarting mind chatter  this morning as every morning awaiting more new old, old new arrivals.

what to do?

ritually cheese off the ninety three percent  as a seven percent brit, according to Arts Council Britain.  Probably less percent if considering materials cobbled;  rust crumble, paint peelings, limbless dolls with found limbs, headlessmannequin with inverted nipple  awaiting an arrival of sorts, perhaps mosaics pinkted from Viv Westwood printed collections of fancifully adorned bondage,  over a skin of skillish fibresparkle glimpses in old lady pink.

i am sure i have left the iron on!